Roscoe Mitchell, saxophone Tony Holland, saxophones/other instruments Skeeter Shelton, saxophones/other instruments A. Spencer Barefield, guitar Kenny Green, piano Stephen Rush, piano Jeribu Shahid, bass Djallo Djakate, drums
The Art Ensemble of Chicago is a musical entity that evolved from founder Roscoe Mitchell's musical vision, explorations and adventurous collaborations in Chicago of the early and mid sixties.
The Art Ensemble of Chicago is renowned for its integration of musical styles that span the history of jazz and multi instrumental group improvisations. Their musical universe is enhanced by the creative use of unique sounds and percussions-aka little instruments, traditional hand and stick drums, whistles, horns, bells, chimes, vibes, marimba, gongs of all sizes and an array of home made and found sound objects that serve each individual musician as an extension of their personality on their principal instruments of saxophones, flutes, trumpet and flugelhorn, double bass and drum set. Their live performances of original compositions written by all the members have also included elaborate costumes, face paint, props, theater, poetry, dance and more to create a visual, auditory and sensual spectacle.
Throughout the 60’s, the members of The Art Ensemble of Chicago performed and recorded in numerous groups under various names. After critical acclaim in the national and international jazz press for their personal performances and recordings, Roscoe Mitchell, Joseph Jarman, Lester Bowie and Malachi Favors decided to continue their musical adventures and travelled together to Paris in 1969 where they became known as The Art Ensemble of Chicago, an extension of the original Roscoe Mitchell Art Ensemble. Upon their arrival in Paris they were immediately contracted to perform a one month engagement at the legendary Theatre Lucernaire in Montparnasse. They also performed numerous concerts throughout France and proceeded to record albums as a group and individually in collaboration with the many important American musicians on the Paris scene in that period.
In 1970, the group recorded the sound track for the French film «Les Stances à Sophie» a cult classic featuring the voice of Fontella Bass and which was the first recording with new drummer Don Moye. In 1971, the group returned to United States as a quintet and began their six decade history of performances and recordings on the international jazz circuit.
The group has released more than 70 live performances, studio recordings, videos and DVDs on a variety of labels including Atlantic Records, ECM Records, Disk Union, Nessa Records, Delmark Records, Pi Recordings and their own label AECO Recordsfounded in 1975.
The personnel of The Art Ensemble of Chicago has changed several times with the early retirement and return of Joseph Jarman, the death of Lester Bowie in 1999 and the death of Malachi Favors in 2004. The willingness to support each member's individual musical interests and personal goals continues to contribute to this group's amazing longevity.